Kafka: A Very Short Introduction (Very Short Introductions)
By Ritchie Robertson
Franz Kafka is without doubt one of the so much interesting and influential writers of the final century. in the course of his lifetime he labored as a civil servant and released just a handful of brief tales, the easiest recognized being The Transformation. His different 3 novels, released after his demise, helped to came across his popularity as a uniquely perceptive interpreter of the 20 th century.
Discussing either Kafka's crisis-ridden existence and the subtleties of his artwork, Ritchie Robertson presents an interesting and obtainable examine the lifetime of this attention-grabbing writer. utilizing Metamorphosis as a ordinary instance, Robertson indicates how Kafka's paintings explores such traditionally glossy subject matters because the position of the physique in tradition, the ability of associations over humans, and the potential for faith after Nietzsche had proclaimed "the loss of life of God."
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Additional resources for Kafka: A Very Short Introduction (Very Short Introductions)
Reiner Stach is writing a biography in 3 volumes, the ﬁrst of that's approximately to seem in a translation via Shelley Frisch (New York, 2004). For one kind of worthwhile psychoanalytic method, see Calvin R. corridor and Richard S. Lind, desires, lifestyles and Literature: A learn of Franz Kafka (Chapel Hill: collage of South Carolina Press, NC, 1970). 127 Kafka On Milena Jesenská, see Mary Hockaday, Kafka, Love and braveness: The lifetime of Milena Jesenská (London: Deutsch, 1995); on Dora Diamant, see Kathi Diamant, Kafka’s final Love: The secret of Dora Diamant (London: Secker and Warburg, 2003). at the query of homosexuality, see Mark Anderson, ‘Kafka, homosexuality and the aesthetics of ‘‘male culture’’ ’, Austrian reports, 7 (1996), pp. 79–99. On Kafka’s literary atmosphere, see Scott Spector, Prague Territories: nationwide Conﬂict and Cultural Innovation in Franz Kafka’s Fin de Siècle (Berkeley, la, London: collage of California Press, 2000). Intertextual stories comprise Mark Spilka, Dickens and Kafka (Bloomington: Indiana collage Press, 1963), and W. J. Dodd, Kafka and Dostoyevsky: The Shaping of Inﬂuence (London: Macmillan, 1992). On Kafka’s shuttle interpreting, see John Zilcosky, Kafka’s Travels (Basingstoke: Palgrave Macmillan, 2003), and on his ﬁlm-going, Hanns Zischler, Kafka is going to the films (Chicago and London: collage of Chicago Press, 2003). On his publishing occupation, see Joachim Unseld, Franz Kafka: A Writer’s existence, tr. Paul F. Dvorak (Riverside, CA: Ariadne Press, 1997). bankruptcy 2 the excellence formulated via Roland Barthes in Writing measure 0, tr. Annette Lavers and Colin Smith (London: Cape, 1967) was once mentioned and built through Jonathan Culler, Structuralist Poetics (London: Routledge and Kegan Paul, 1975). Vladimir Nabokov wondered over Kafka’s entomology in his Lectures on Literature, ed. Fredson Bowers (New York: Harcourt Brace Jovanovich, 1980). For Kafka’s wisdom of Darwinism and different concerns, see Leena Eilittä, techniques to non-public identification in Kafka’s brief Fiction: Freud, Darwin, Kierkegaard (Helsinki: Academia Scientiarum Fennica, 1999). On Kafka’s writing, see Mark Harman’s article on his revision of The fortress in Rolleston’s significant other (above), and Malcolm Pasley, ‘Kafka’s Der technique: what the manuscript can inform us’, Oxford German experiences, 18/19 (1989–90), pp. 109–18. 128 Chapter three On theories and histories of the physique, see Bryan S. Turner, The physique and Society: Explorations in Social concept, 2d edn. (London: Sage, 1996); Sarah Coakley (ed. ), faith and the physique (Cambridge: Cambridge collage Press, 1997); Peter Brown, The physique and Society: males, girls and Sexual Renunciation in Early Christianity (New York: Columbia collage Press, 1988); E. M. Collingham, Imperial our bodies: The actual event of the Raj c. 1800–1947 (Cambridge: Polity, 2001). at the physique in Kafka’s tradition, see George L. Mosse, Nationalism and Sexuality: Respectability and irregular Sexuality in glossy Europe (New York: Fertig, 1985); Mark Anderson, Kafka’s outfits: decoration and Aestheticism within the Habsburg Fin de Siècle (Oxford: Clarendon Press, 1992).